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Alex Ross The Rest Is Noise Series: Doctor Faust: Schoenberg, Debussy, and Atonality


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Profiling Debussy and Schoenberg, two of the century’s earliest innovators, Ross traces the development of atonality, and with it the reinvention of Western harmonic tradition.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross Rest Is Noise

Alex Ross The Rest Is Noise Series: Death Fugue: Music in Hitler’s Germany


This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.Hitler loved and was obsessed by classical music. This is the chilling story of the manipulation of some of German music’s greatest composers and cultural icons, and the persecution of others, all in the name of the Nazi’s deathly cause.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: “Grimes! Grimes!”: The Passion of Benjamin Britten


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Benjamin Britten lived for most of his life around the Suffolk coast, and is buried in the Aldeburgh churchyard. He once stated that all his music came from there. ‘Peter Grimes’ is an opera of staggering force that is soaked in Aldeburgh to its bones.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Britten’s music features prominently in the festival; ‘Music from Across the Iron Curtain’ is on 27 September 2013, ‘Britten Centenary Celebrations’ are on 2 and 12 October and ‘The Young Person’s Guide to the Orchestra’ is performed on 3 November 2013.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Sunken Cathedrals: Music at Century’s End


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.How can composition in the twentieth century be summarised? Styles of every description – minimalism, post-minimalism, electronic music, laptop music, Internet music, appropriations of rock, pop and hip-hop, experimental folkloristic music in Latin America, the Far East, Africa and the Middle East – jostle against each other, none gaining supremacy. ‘The Rest is Noise’ has been an aerial tour of this ever-changing landscape.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Invisible Men: American Composers from Ives to Ellington


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Tracing the development of the American avant-garde, Ross examines the crucial influence of African-American musicians on the classical establishment, the dawn of the Jazz age, and the forging of a new and uniquely American classical idiom.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Dance of the Earth: The Rite, the Folk, le Jazz


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Against the background of the carnage and upheaval of WWI, Europe saw the violent birth of a new musical avant-garde. Ross examines the search for novelty and authenticity by Stravinsky, Ravel, Bartok and Janacek.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Apparition from the Woods: The Loneliness of Jean Sibelius


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Jean Sibelius hailed from the ‘small nation’ of Finland. Working in isolation, far from the great artistic capitals of Europe, Ross shows how Sibelius’s reinvention of classical forms went on to set the pace for classical composers around the world.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Beethoven Was Wrong: Bop, Rock, and the Minimalists


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.After Paul McCartney listened to the electronic layering and looping of Stockhausen, the Beatles used the same effects on Revolver’s ‘Tomorrow Never Knows’ and put an image of the composer on Sgt. Pepper’s Lonely Hearts Club Band. For a split second during ‘Revolution 9’ the final chords of Sibelius’s Seventh Symphony can be heard. Even the most jaded veteran of twentieth century music must have been startled by the influence of the post-war avant-garde on the psychedelic generation.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Brave New World: The Cold War and the Avant-Garde of the Fifties


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.The Cold War breaks out and music explodes into a pandemonium of revolutions, counterrevolutions, theories, polemics, alliances,and party splits. The language of modern music is reinvented. This short ebook looks at some of the extraordinary compositions of this period.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross: The Rest Is Noise

Alex Ross: The Rest Is Noise Books, articles, and a blog by the music critic of The New Yorker

The Rest is Noise: Das 20. Jahrhundert hören: Amazon.de ...

The Rest is Noise: Das 20. Jahrhundert hören | Alex Ross, Ingo Herzke | ISBN: 9783492053013 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.

Alex Ross: The Rest is Noise. Das 20. Jahrhundert hören ...

Alex Ross The Rest is Noise. Das 20. Jahrhundert hören. Piper Verlag, München 2009 ISBN 9783492053013 Gebunden, 703 Seiten, 29,95 EUR Gebraucht bei Abebooks Klappentext. Aus dem Englischen von Ingo Herzke. Eine Erzählung lässt uns die Geschichte des 20. Jahrhunderts über seine Musik neu erleben. Alex Ross, Kritiker des New Yorker, bringt uns aus dem Wien und Graz am Vorabend des Ersten ...

The Rest is Noise: Das 20. Jahrhundert hören: Amazon.de ...

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des New Yorker. »The Rest is Noise«, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erscheinen wird. Ross ist »MacArthur Fellow« und lebt in New York.

The Rest is Noise von Alex Ross als Taschenbuch ...

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des »New Yorker«. »The Rest is Noise«, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erschienen ist. Ausgezeichnet mit dem »National Book Critics Circle Award« und dem »Guardian First Book Award«, nominiert für den »Pulitzer«- und den »Samuel Johnson«-Preis. Ross ist »MacArthur Fellow«, Fellow der American Academy in Berlin und »Guggenheim ...

The Rest is Noise von Alex Ross portofrei bei bücher.de ...

Wie Alex Ross’ Buch ohne die Begleitung durch das Internet überhaupt ein Stück ärmer wäre: Auf der Homepage von „The Rest is Noise” finden sich zahlreiche Hörbeispiele, die es noch reizvoller machen, Ross’ Ausführungen zu folgen. Eine – bei seinem Umfang und der Vielzahl an vorgestellter Musik – vielleicht unvermeidliche Schwäche ist bei dem 2007 in den USA erschienenen und ...

Alex Ross: The Rest Is Noise: Playlist

Alex Ross: The Rest Is Noise Books, articles, and a blog by the music critic of The New Yorker

Alex Ross: The Rest Is Noise: The Rest Is Noise: Summary

The Rest Is Noise is a voyage into the labyrinth of modern music, which remains for many people an obscure and forbidding world. While paintings of Picasso and Jackson Pollock sell for a hundred million dollars or more, and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, twentieth-century classical music still sends ripples of unease through audiences. At the same time, its influence can be felt everywhere. Atonal chords crop up in jazz. Avant ...

Alex Ross (Musikkritiker) – Wikipedia

Ende 2011 erhielt er den mit 20.000 € dotierten Belmont-Preis 2012 der Forberg-Schneider-Stiftung für sein Buch The Rest Is Noise; „dieses erzähle kenntnisreich und unterhaltsam von der Musik dieser Zeit und eröffne über die Grenzen von Klassik, Jazz, Rock und Pop hinweg einen neuen Blick auf die Kulturgeschichte,“ so die Stiftung in ihrer Laudatio. 2012 wurde Ross in die American Academy of Arts and Sciences gewählt.

Alex Ross: The Rest Is Noise: Vertigo

by Alex Ross New York Times, October 6, 1996 Nearly four decades after its commercially indifferent first run, ''Vertigo'' has become the most widely celebrated of Alfred Hitchcock's films. It is prized not simply for its razor-sharp suspense technique but...

Alex Ross: The Rest Is Noise: Consolations: Arvo Pärt

by Alex Ross The New Yorker, December 2, 2002. A few years ago, a man who faced a terminal diagnosis of cancer asked a friend to give him some compact disks so that he could have a little music to...

The Rest is Noise: Listening to the Twentieth Century ...

In 'The Rest is Noise', Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century.

The Rest Is Noise - Wikipedia

The Rest Is Noise: Listening to the Twentieth Century is a 2007 nonfiction book by the American music critic Alex Ross, first published by Farrar, Straus and Giroux.

The Rest is Noise von Alex Ross | PIPER

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des New Yorker. „The Rest is Noise“, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erscheinen wird. Ross ist „MacArthur Fellow“ und lebt in New York. Mehr über Alex Ross

The Rest Is Noise by Alex Ross [Book Summary – Review ...

The Rest Is Noise: Listening to the Twentieth Century by Alex Ross Book Review The classical music of the Twentieth-century is a shadow of the eras in which it happened. Disastrous wars incited composers to escape from the historical burden that arose with prior works and progress with new, progressively dissonant and formalist compositions.

De:Bug Magazin » Alex Ross: The Rest Is Noise

Alex Ross The Rest Is Noise. Listening To The Twentieth Century (Fourth Estate/Harper Collins) Die Zeit rennt und die zeitgenössische Klassik des ausgehenden 19. und des gesamten 20. Jahrhunderts wirkt weit weg, vergessen und vergraben, ist eine Referenzmaschine, mit deren Hilfe man problemlos die Diskussion wieder an sich reißen kann, denn ...

Avant-garde without end | Music books | The Guardian

Review: The Rest is Noise by Alex Ross Ross is not only good on the big picture but masterly in his choice of detail, says Nicholas Lezard

REST IS NOISE: Listening to the Twentieth Century: Amazon ...

REST IS NOISE: Listening to the Twentieth Century | Ross, Alex | ISBN: 9780312427719 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.

The Rest is Noise: Das 20. Jahrhundert hören eBook: Ross ...

Kenntnisreich, geschmeidig geschrieben, reich an Hintergrundinfos und nachvollziehbaren Bewertungen, Einschätzungen, Verortungen - Alex Ross' "The Rest is Noise" ist eine der besten Einführungen in die neue (symphonische) Musik des 20. Jahrhunderts, und zugleich ein kompetenter Navigator durch die vielen Welten moderner Musik. Unverzichtbar für Adepten und geübte Hörer gleichermaßen.

Alex Ross (music critic) - Wikipedia

Alex Ross (born 1968) is an American music critic.He has been on the staff of The New Yorker magazine since 1996, and he has written the books The Rest Is Noise: Listening to the Twentieth Century (2007), Listen to This (2011), and Wagnerism: Art and Politics in the Shadow of Music (2020).

It’s all music - Alex Ross’ „The Rest is Noise“ – Musik im ...

Alex Ross’ „The Rest is Noise“ – Musik im 20. Jahrhundert Von Thomas Neumann Besprochene Bücher / Literaturhinweise. Wie schreibt man ein erfolgreiches Buch? Man ist Musikkritiker des „New Yorker“, 1968 geboren und man heißt Alex Ross. Man kennt sich hervorragend in der Musikgeschichte des 20. Jahrhunderts aus und ist inspiriert von einem kulturellen Gefüge, das aus ...

The Rest is Noise - Alex Ross (Buch) – jpc

Das Buch Alex Ross: The Rest is Noise jetzt portofrei für 16,00 Euro kaufen. Mehr von Alex Ross gibt es im Shop.

Alex Ross - The Rest is Noise | eBay

Finden Sie Top-Angebote für Alex Ross - The Rest is Noise bei eBay. Kostenlose Lieferung für viele Artikel!

The Rest Is Noise by Alex Ross - YouTube

Alex Ross, the music critic for The New Yorker, talks about his new book The Rest Is Noise, his love of the New York music scene, and how he didn't listen to...

The Rest Is Noise: Listening to the Twentieth Century ...

Alex Ross has been the music critic of The New Yorker since 1996. His first book, the international bestseller The Rest Is Noise: Listening to the Twentieth Century, was a finalist for the Pulitzer Prize and won a National Book Critics Circle Award. His second book, the essay collection Listen to This, received an ASCAP Deems Taylor Award. He was named a MacArthur Fellow in 2008 and a ...

Alex Ross: The Rest Is Noise: Erkennen Sie die Melodie der ...

Es gehört zu den großen Erzählqualitäten von Alex Ross, aus einer alten Fotografie vom Eingang zum Grazer Opernhaus, auf der neben anderen Richard Strauss und Gustav Mahler zu sehen sind, eine...

The Rest is Noise (eBook, ePUB) von Alex Ross - Portofrei ...

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des New Yorker. »The Rest is Noise«, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erscheinen wird. Ross ist »MacArthur Fellow« und lebt in New York.

The Rest Is Noise: Listening to the Twentieth Century by ...

Alex Ross is one of my must-read New Yorker writers. Whenever a new piece of his comes out I know I'm going to be smarter than I was before. To me, he is the music critic. The Rest Is Noise is often referred to as the book on 20th century classical music. And I can only further perpetrate that sentiment.

Alex Ross: "The Rest is Noise - Listening to the twentieth ...

Hallo, liebe Musikfreunde, bereits vor einiger Zeit hat Giselher das Buch empfohlen: Alex Ross: "The Rest is Noise - Listening to the twentieth century", erschienen New York 2007 bei Farrar, Straus and Giroux. Ich bin überzeugt, dass dies nicht nur…

Rest is Noise - Alex Ross (Buch) – jpc

In 'The Rest is Noise', Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini ...

The Rest Is Noise eBook von Alex Ross – 9781429932882 ...

The Rest Is Noise. von Alex Ross. Teilen Sie Ihre Gedanken Vervollständigen Sie Ihre Rezension. Lassen Sie andere Leser wissen, was Sie denken, indem Sie diesen Artikel bewerten und rezensieren. Bewerten * Ihre Bewertung * 0. 1 Stern - Es hat mir überhaupt nicht gefallen 2 Sterne - Es hat mir nicht gefallen 3 Sterne - Es war okay 4 Sterne - Es hat mir gefallen 5 Sterne - Ich bin begeistert ...

The Rest Is Noise: Listening to the Twentieth Century ...

Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life.The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the ...

[PDF-EPUB-MOBI FREI] The Rest is Noise - Alex Ross ...

Alex Ross, Kritiker des “New Yorker”, bringt uns aus dem Wien und Graz am Vorabend des Ersten Weltkriegs ins Paris und Berlin der Goldenen Zwanzigerjahre, aus Hitler-Deutschland über Russland ins Amerika der Sechziger- und Siebzigerjahre. Er führt uns durch ein labyrinthisches Reich, von Jean Sibelius bis Lou Reed, von Gustav Mahler bis Björk. Und wir folgen dem Aufstieg der ...

Alex Ross (Author of The Rest Is Noise)

Alex Ross has been the music critic of The New Yorker since 1996. From 1992 to 1996 he wrote for the New York Times. His first book, The Rest Is Noise: Listening to the Twentieth Century, was published in 2007 by Farrar, Straus & Giroux and became a national bestseller.

The Rest is Noise - Alex Ross - First Chapter - The New ...

‘The Rest Is Noise’ By Alex Ross. Oct. 28, 2007; When Richard Strauss conducted his opera Salome on May 16, 1906, in the Austrian city of Graz, several crowned heads of European music gathered ...

Seite 2 - Alex Ross: The Rest Is Noise: Erkennen Sie die ...

Alex Ross: „The Rest Is Noise“. Das 20. Jahrhundert hören. Aus dem Amerikanischen von Ingo Herzke. Piper Verlag, München 2009. 703 S., geb., 29,95 €.

Amazon.com: The Rest Is Noise: Listening to the 20th ...

Alex Ross does an excellent job helping the reader hear between the notes of the music and understand what the music actually means. I also enjoyed the sheer amount of music that Alex Ross discusses. He has an encyclopedic knowledge of classical composition and I was really thrilled to get some new pieces to listen to. I was especially happy to get a lot of recommendations for listening to ...

Alex Ross: The Rest is Noise (Taschenbuch) - bei eBook.de

Alex Ross: The Rest is Noise - Listening to the Twentieth Century. ports. Sprache: Englisch. (Taschenbuch) - bei eBook.de

The Rest is Noise - Alex Ross - Paperback

The Rest is Noise. Listening to the Twentieth Century : Samenvatting. Eine glänzende Erzählung lässt uns die Geschichte des 20. Jahrhunderts über seine Musik neu erleben. Alex Ross, Kritiker des New Yorker, bringt uns aus dem Wien und Graz am Vorabend des Ersten Weltkriegs ins Paris und Berlin der Goldenen Zwanziger Jahre, aus Hitler-Deutschland über Russland ins Amerika der Sechziger und ...

The Rest is Noise Buch von Alex Ross versandkostenfrei bei ...

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des »New Yorker«. »The Rest is Noise«, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erschienen ist. Ausgezeichnet mit dem »National Book Critics Circle Award« und dem »Guardian First Book Award«, nominiert für den »Pulitzer«- und den »Samuel Johnson ...

The Rest is Noise | Alex Ross | HÖBU.de

Alex Ross: The Rest is Noise Das 20. Jahrhundert hören. Produkttyp: eBook-Download: Fassung: 1: Verlag: Piper ebooks: Erschienen: 3. Apr. 2017 Sprache: Deutsch: Seiten: 704 (Druckfassung) Format: EPUB Info EPUB wird von allen gängigen eBook-Readern außer Amazon Kindle unterstützt (z. B. Tolino, Kobo, Pocketbook, Sony Reader). Für Amazon Kindle ist eine Konvertierung in das Mobipocket ...

The Rest Is Noise | Alex Ross | Macmillan

Alex Ross. Alex Ross, music critic for The New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism, a Holtzbrinck Fellowship at the American Academy in Berlin, a Fleck Fellowship from the Banff Centre, and a Letter of Distinction from the American Music Center for significant contributions to the field of contemporary music.

The Rest is Noise von Alex Ross - Buch | Thalia

Alex Ross, geboren 1968, ist seit 1996 Musikkritiker des New Yorker. »The Rest is Noise«, sein erstes Buch, wurde ein ungeheurer Erfolg: ein von der Kritik mit Lob und Preis gefeierter Bestseller, der in 15 Ländern erscheinen wird. Ross ist »MacArthur Fellow« und lebt in New York..

The Rest Is Noise: Listening to the Twentieth Century ...

Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied ...

Amazon.com: The Rest is Noise: Das 20. Jahrhundert hören ...

alex Ross has the ability and the resources to write about the music of the 20th Century and to establish himself as the creator of the definitive volume with the publication of THE REST IS NOISE: LISTENING TO THE TWENTIETH CENTURY. His depth of knowledge is matched only by his ability to communicate with a writing style that places him in the echelon of our finest biographers. This book is ...

Bild zu: Alex Ross: The Rest Is Noise: Erkennen Sie die ...

The Rest Is Noise. Eine stupende Geschichtsschreibung der modernen Musik, die das vergangene Jahrhundert hörbar macht: Alex Ross versucht, den Klang der Instrumente mit Worten zu erfassen - eine ...

Alex Ross: The Rest Is Noise - FeedBurner

Alex Ross: The Rest Is Noise Here is the program of simple lines / quiet music / silent songs, a remarkable marathon recital that the pianist Richard Valitutto gave today at his apartment in Ithaca NY, as part of Wild Up's Darkness Sounding festival.

Alex Ross (@AlexRossMusic) | Twitter

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The Rest Is Noise by Alex Ross | Audiobook | Audible.com

Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

Alex Ross The Rest Is Noise Series: Zion Park: Messiaen, Ligeti, and the Avant-Garde of the Sixties


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.After the war, composers took up what might be called catastrophe style with a vengeance. The twentieth century was undoubtedly one of the most horrific periods of human history – but terror was not always the subject of its composers. For some, attempting to transcend or reject the despair that consumed other artists led to the creation of some of the century’s most beautiful music.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: The Golden Age: Strauss, Mahler, and the Fin de Siecle


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.The years before WWI were a golden age for German and Austrian classical music. The story of this period – and a way of life soon to end – is told through the intertwined careers of the two titans of early twentieth-century composing, Strauss and Mahler.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: City of Nets: Berlin in the Twenties


This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.The newly-created democratic state of Weimar Germany was, famously, a crucible for progressive art of all kinds, and classical music was no different. From Brecht and Weill’s Threepenny Opera to Schoenberg’s development of the influential twelve-tone technique, Ross charts this flowering of avant-garde creativity.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Zero Hour: The U.S. Army and German Music, 1945–1949


This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.Following the Allied victory, all over Europe, young people were emerging from the rubble into adulthood – amongst them, leading figures of the post-war musical scene. They would be indelibly marked by their teenage experiences, their memories colouring their compositions.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

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Alex Ross The Rest Is Noise Series: Music for All: Music in FDR’s America


This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.With some of Europe’s greatest composers fleeing persecution under Stalin and Hitler, the USA in the 1940s became a place of refuge and of fresh creativity, both native and immigrant. At the same time, a newly democratic spirit meant that what had once been the preserve of the elite increasingly came within reach of the masses.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

130.02 RUR

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Alex Ross The Rest Is Noise Series: The Art of Fear: Music in Stalin’s Russia


This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.Ross shows how the flowering of avant-garde music in early twentieth-century Russia was co-opted, corrupted and crushed by the dictatorial ideology of Stalin’s Russia, with great composers including Shostakovich and Prokofiev forced to choose between collaboration, exile or ostracism.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

130.02 RUR

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Alex Ross The Rest is Noise


Alex Ross’s sweeping history of twentieth-century classical music, winner of the Guardian First Book Award, is a gripping account of a musical revolution.The landscape of twentieth-century classical music is a wild one: this was a period in which music fragmented into apparently divergent strands, each influenced by its own composers, performers and musical innovations. In this comprehensive tour, Alex Ross, music critic for the ‘New Yorker’, explores the people and places that shaped musical development: Adams to Zweig, Brahms to Björk, pre-First World War Vienna to ‘Nixon in China’.Above all, this unique portrait of an exceptional era weaves together art, politics and cultural history to show how twentieth-century classical music was both a symptom and a source of immense social change.

809.81 RUR

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Alex Ross The Rest is Noise: Listening to the Twentieth Century


Winner of the Guardian First Book Award 2008.A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties.In ‘The Rest is Noise’, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather than the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies.

763.63 RUR

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Alex Ross Listen to This


In Listen to This, the award-winning music critic and author of The Rest is Noise, Alex Ross looks forward and backward in musical culture: capturing essential figures in classical music history, as well as giving an alternative view of recent pop music.From his own first encounter with classical music to vibrant sketches of Schubert, Verdi and Brahms; from in-depth interviews with modern pop masters such as Björk and Radiohead to the lives of a high school’s music students, Ross shows how music can express the full complexity of human experience. He explains how pop music can achieve the status of high art and how classical music can become a vital part of wider contemporary culture.Witty, passionate and brimming with insight, Listen to This teaches us to listen more closely.

303.99 RUR

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CAROL MARINELLI The Baby Emergency


The doctor and the single momWhen Shelly Weaver returns to the children's ward for her first night shift as a single mom, she discovers it's also Dr. Ross Bodey's first night back. He's been working in the Outback, but on discovering Shelly's newly single status he's returned—for her!Shelly didn't know Ross was in love with her—until now. And suddenly Ross is asking her to change her life forever. But Shelly has her son to consider, although he is falling in love with Ross as quickly as Shelly is…

456.9 RUR

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